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The inspiration comes from shows from various trailer works done by labels such as Audiomachine, Really Slow Motion, Colossal Music and many more”. All the sounds have modulation via the modwheel and aftertouch and in a lot of cases the pitchwheel adds some saturation and the CC2 often controls different modulation sources. Here’s what the TSA guys said about this soundset: “The sounds in the soundset are filled with dark, distorted, pushing, edgy sounds, but also reflective, mysterious and wide and lush sounds are represented. This one is great for all trailer composers out there, but the sounds in here are usable in actual scores as well. I have only recently discovered Triple Spiral Audio and I got hooked on their soundsets from the start. You don’t need to process it with any FX because it sounds ready straight out of the box. It sounds absolutely spectacular and it feels very analogue. Whether you are looking for new lush pads or you produce ambient, film or game music or just need to enhance your productions with fresh synth elements – this soundbank is a must-have tool in your collection. It contains 128 great patches from beautiful pads to suspenseful basslines, dreamy arpeggios, haunting soundscapes, underscoring elements and split-key instruments with 120 MB samples from the Luftrum Modular and Luftrum’s Prophet-6, including 43 FX Racks in a handpicked selection of delays and reverbs. This thing just screams cinematic sci-fi.

Luftrum 14 is another great example of how a proper ambient soundscape soundset is made. A m ust have for ambient chill and underscore writing. These are helpful to speed up the programming process and can give your own programming added depth with professionally designed FX set-up. These can finalize a track with EQ, compression and limiting or can destroy a track with distortion and vintage sounding delays. The library also includes 160 FX Rack presets that can be loaded into the A, B or Common effect layer racks. When you hear these sounds, you are taken to a galaxy far far away and you will stay there for many years to come. If you are looking for a good analogue sound for that sci-fi adventure, this is the way to go. This is a collection of amazing chill ambient sounds divided into textures, soundscapes, pads and ambient leads.

FREE OMNISPHERE SOUND BANKS TORRENT SOFTWARE

This is the best Virus recreation in a software format. Apart from single presets, there are also 50 multi presets. This soundset features a collection of 260 patches divided into categories like bass, synth, textures, arpeggios, sequences and drums. The Virus is a polyphonic and multitimbral hardware synthesizer based on DSP rather than analog circuits, and might be the finest modern synthesizer of all time with an excellent tone and fantastic effects. Ultra One is a great collection of sounds based on the Virus TI synthesizer. There is a plethora of sounds in this soundset, such as dynamic basslines, lo-fi drumloops, analogue and organic pads, emotional guitars, vivid synths, punchy basses, lyrical pianos, dramatic percussion, widescreen hits and impacts, expressive mallets and bells, ethereal textures and dark soundscapes. Colossus is the first release for Omnisphere 2 and is aimed at cinematic underscore and it is also useful for atmospheric electronica, ambient and neo-classical styles. Matt Bowdler is a master of creating some rather unique score-ready soundsets for any virtual synth out there. You can’t have a best-of list of synth patches without The Unfinished. Here is our top 10 list of best Omnisphere soundsets for 2019. We’ve been talking about Kontakt sample libraries out there in many of our posts but let’s give some much-needed attention to Omnisphere and its plethora of amazing soundsets.

It’s THE DADDY of virtual synths basically. Kontakt is everyone’s favourite sampler and sample library player while Omnisphere is everyone’s favourite virtual synth. There are two mandatory virtual instruments that every working composer out there needs to have.

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